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TV Series Review

Working a Brooklyn police beat on TV can be a harsh experience. You deal with psychopaths and malcontents. You meet people who break all sorts of societal and legal boundaries. You have to put up with folks who seem to want to make the world a more inhumane place.

And after all that, sometimes you gotta actually leave the precinct headquarters and confront criminals.

Such is the world of Fox's Brooklyn Nine-Nine, a show about the strangest precinct in the Big Apple since Barney Miller. It's a knockoff Community in cuffs—a rapid-fire comedy whose own version of the Miranda Rights would almost certainly feature a dancing woman with fruit on her head.

(My editor says I must specify that that's a Carmen Miranda reference, for readers under 65 and who haven't watched a sufficient number of old Bugs Bunny cartoons.)

Gummy Gummy Gumshoe

Det. Jake Peralta (Saturday Night Live alum Andy Samberg) stands at the sitcom's nutty nucleus. This gifted but unhinged gumshoe is almost certainly a donut short of a dozen, prone to high-volume comedic outbursts at least twice every show segment. He may burst into song. He may dance a jig. But rarely will you see Jake stand still. He reminds me just a little of Gonzo the Great after one too many espressos.

Other characters are trotted out and used according to stereotype. There's Det. Amy Santiago, Jake's overachieving and high-strung wife; Det. Rosa Diaz, the precinct's mysteriously sulky tough hombress; Sgt. Terry Jeffords, the squad's vein-bulging, iron-pumping chief; and hapless Det. Charles Boyle, the obligatory well-meaning but somewhat clueless tagalong.

Then, of course, there's the show's straightest of straight men—who, paradoxically, happens to be gay. Capt. Ray Holt rarely smiles, never laughs and sagely tries to keep his wildly erratic charges in line. Watching the captain at work is a little like watching James Earl Jones try to rein in a ring full of carnival clowns—if Jones was prone to simmering over homosexual bigotry.

Locked Up

Brooklyn Nine-Nine has more jokes than perps, and the comedy can careen wildly from clean to problematic like a New York cab. While this workplace laugher tries to portray the precinct as one big happy, if dysfunctional, family, the humor can feel pretty mean, too. It's predicated on more personality foibles than tawdry sexual exploits, but innuendo has certainly not been locked up. Language can be harsh. And, in a rarity for sitcoms, viewers will occasionally see forceful takedowns and fisticuffs with the bad guys—nothing too brutal or gruesome, of course, but it's there.

Alas, for all the effort these detectives put in around their precinct, its silly streets are not all that safe.

Positive Elements

Spiritual Content

Sexual Content

Violent Content

Crude or Profane Language

Drug and Alcohol Content

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Pro-social Content

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Plot Summary

Christian Beliefs

Other Belief Systems

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Discussion Topics

Additional Comments/Notes

Episode Reviews

April 11, 2019: "Casecation"
Brooklyn Nine-Nine: Nov. 28, 2017 "Return to Skyfire"
Brooklyn Nine Nine: Dec. 13, 2016 "Captain Latvia"
Brooklyn-Nine-Nine: 11-26-2013



Readability Age Range



Andy Samberg as Detective Jake Peralta; Stephanie Beatriz as Detective Rosa Diaz; Terry Crews as Sergeant Terry Jeffords; Melissa Fumero as Detective Amy Santiago; Joe Lo Truglio as Detective Charles Boyle; Chelsea Peretti as Gina Linetti; Andre Braugher as Captain Ray Holt; Dirk Blocker as Hitchcock; Joel McKinnon Miller as Scully






Record Label




On Video

Year Published



Paul Asay

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