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TV Series Review

If there's one thing television teaches us, it's to never, ever trust our neighbors.

Sure, the Bible tells us to treat them kindly and all. And television agrees—but only to keep them from murdering us in our sleep. After all, if you lived back in the 1980s on a block owned by FX, they just might be deep-cover Russian spies.

Meet the Jennings family of The Americans. Philip and Elizabeth run a travel agency. (They still had such things back then.) Daughter Paige is just your average college student. Son Henry loves playing hockey. These all-Americans look like they crawled right out of a Hallmark Channel special (if Hallmark had had a cable channel during the Cold War.)

But Mom and Dad are Russians, sent by the Soviet Union to spy on all things U.S. They groom sources. They take pictures. They either have sex with or kill anyone who might know anything—sometimes both. Then they ship whatever they can back to the Motherland.

But as the show's sixth and final season begins in the heady, Glasnost-tinged days of 1987, something else is brewing. The Soviet Union is changing. Lines are being drawn not just between the U.S.S.R. and the good old U.S.A., but inside Mother Russia herself—hard-liners on one side, reformers on the other. Is it possible that Philip and Elizabeth can't even trust … each other?

Family Values

Yes, the Jennings are spies, but James Bond is not the template for The Americans. It's their family, not their drinks, that is shaken. Even as they surveil for the Soviet Union, they're just trying to live their lives, too—raise their kids in the best way they know how. When Philip and Elizabeth stay awake with worry, it's more often because of their children, not their super-secret occupations. (Paige herself is now firmly enmeshed in the real family business by season six, too.)

And they have another worry: What if they're caught? What becomes of their kids? Philip, in particular, seems conflicted over his duties as Soviet agent and his responsibilities as a husband and father—temporarily setting aside the spy business, even, and becoming a full-time travel agent. Elizabeth, who's more committed to the cause, never falters in her duty to the Motherland. But she's a mother herself, too. And a wife. What happens when one duty collides with another?

"We always conceived of The Americans as a show about a marriage, more than espionage, that shows how, even under the craziest circumstances, the marriage still looks and feels like any other marriage," Joseph Weisberg, the show's creator (and a former CIA employee) told Time. "I think Matthew Rhys [as Philip] is this incredible embodiment of a suburban dad and a tough KGB officer at the same time. Keri Russell [as Elizabeth] can be such a loving mom who can turn, on a dime, into this killer."

Political Problems

Indeed she can. And does. She and Philip can also quickly and easily scrap their wedding vows to use sex as a weapon of war against someone else with valuable information to share. Thus, both Philip and Elizabeth sleep around a lot—with some of the scenes shown in extreme, embarrassing, titillating detail. From flashes of nudity to explicit sexual movements, FX makes full use of the show's TV-MA rating.

The violence, too, is routinely extreme—more harrowing, perhaps, than perspicuous. These are spies, remember, who must do their work in secret. Rarely do we see showy spouts of blood. But the callous brutality with which they go about their work and dispose of the aftermath—well, let's just say that even Dexter might wince. Language is often harsh, with characters prone to saying the s-word or abusing Jesus' name.

There's one more detail to deal with here: the enemy. It may seem quaint now, but this being a period piece, it's relevant to remember that in the 1980s many in the Soviet Union wanted to bring down the United States and all it stood for. Philip and Elizabeth Jennings would've been significant tools in their arsenal.

"One paradigm I have is that the audience sympathizes with Philip and Elizabeth, follows them along as they are on some dangerous and scary mission and wants them to succeed," Weisberg said. "And then the audience suddenly gasps, 'Oh my god, I was just rooting for them while they were carrying out this terrible thing that was devastating the U.S. government!' There's this moment of shock because they've been rooting against our own interest. Then before you know it, Philip and Elizabeth are back at home with their nice kids, and the audience is on their side again. Through that experience, there's a breakdown of the barriers between us and them. Finding yourself rooting for the enemy is a fundamental part of the experience. What is the enemy? What does it even mean to be the enemy?"

It's actually a pretty profound question. And the answers to it make a huge difference in how one sees the world. But do we need such a salacious show to do the asking?

If there's one thing television teaches us, it's to never, ever trust your neighbors. But The Americans tells us that trusting our televisions can be just as dangerous.

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Additional Comments/Notes

The Americans: May 30, 2018 “Start”
The Americans: Mar. 28, 2018 "Dead Hand"
The Americans: Mar. 13, 2017 "Pests"
The Americans: Mar. 23, 2016 "Pastor Tim"
Americans: 2-4-2015
Americans: 4-16-2014
Americans: 2-6-2013



Readability Age Range



Keri Russell as Elizabeth Jennings; Matthew Rhys as Philip Jennings; Noah Emmerich as FBI Agent Stan Beeman; Holly Taylor as Paige Jennings; Keidrich Sellati as Henry Jennings; Annet Mahendru as Nina






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On Video

Year Published