TV Series Review
If there's one thing television teaches us, it's to never, ever trust our neighbors.
Sure, the Bible tells us to treat them kindly and all. And television agrees—but only to keep them from murdering us in our sleep. After all, if you lived back in the early 1980s on a block owned by FX, they just might be deep-cover Russian spies.
Meet the Jennings family of The Americans. Philip and Elizabeth run a travel agency. (They still had such things back then.) Daughter Paige likes to shop at the newfangled mall in town. Son Henry loves playing backyard hockey. These all-Americans look like they crawled right out of a Hallmark Channel special (if Hallmark had had a cable channel during the Cold War.)
But Mom and Dad are Russians, sent by the Soviet Union to spy on all things U.S. They groom sources. They take pictures. They either have sex with or kill anyone who might know anything. Then they ship whatever they can back to the Motherland.
James Bond is not their template here, though. Because even as they spy for the Soviet Union, they're just trying to live their lives, too—raise their kids in the best way they know how. When Philip and Elizabeth stay awake with worry, it's more often because of their children, not their super-secret occupations.
Four seasons in, both Paige and Henry are finding solace outside the home. Henry's found an off-kilter father figure in next-door neighbor (and FBI agent) Stan Beeman, while Paige has discovered—on a harsh cable show of all things—Christianity. But, of course, in the Jennings' world, youth Bible studies may be just as alarming as a drug-addled suitor or strange drop in grades—a dangerous slide from the family's "values." What mother wouldn't worry about her darling daughter? What father wouldn't fret about how best to deal with his headstrong boy?
And they have another worry: What if they're caught? What becomes of their kids? Philip, in particular, seems conflicted over his duties as Soviet agent and his responsibilities as a husband and father. Frankly, there are times when he would much rather scrap the whole spy scene and defect. And if not, as Paige and Henry grow older, more capable of making their own decisions, does there come a time when Philip and Elizabeth bring their kids to the family business?
"We always conceived of The Americans as a show about a marriage, more than espionage, that shows how, even under the craziest circumstances, the marriage still looks and feels like any other marriage," Joseph Weisberg, the show's creator (and a former CIA employee) told Time. "I think Matthew Rhys [as Philip] is this incredible embodiment of a suburban dad and a tough KGB officer at the same time. Keri Russell [as Elizabeth] can be such a loving mom who can turn, on a dime, into this killer."
Indeed she can. And does. She and Philip can also quickly and easily scrap their wedding vows to use sex as a weapon of war against someone else with valuable information to share. Thus, both Philip and Elizabeth sleep around a lot—with some of the scenes shown in extreme, embarrassing, titillating detail. From flashes of nudity to explicit sexual movements, FX makes full use of the show's TV-MA rating.
The violence, too, is routinely extreme—more harrowing, perhaps, than perspicuous. These are spies, remember, who must do their work in secret. Rarely do we see showy spouts of blood. But the callous brutality with which they go about their work and dispose of the aftermath—well, let's just say that even Dexter might wince. Language is often harsh, with characters prone to saying the s-word or abusing Jesus' name.
There's one more detail to deal with here: the enemy. It may seem quaint now, but this being a period piece, it's relevant to remember that in the 1980s many in the Soviet Union wanted to bring down the United States and all it stood for. Philip and Elizabeth Jennings would've been significant tools in their arsenal.
"One paradigm I have is that the audience sympathizes with Philip and Elizabeth, follows them along as they are on some dangerous and scary mission and wants them to succeed," Weisberg said. "And then the audience suddenly gasps, 'Oh my god, I was just rooting for them while they were carrying out this terrible thing that was devastating the U.S. government!' There's this moment of shock because they've been rooting against our own interest. Then before you know it, Philip and Elizabeth are back at home with their nice kids, and the audience is on their side again. Through that experience, there's a breakdown of the barriers between us and them. Finding yourself rooting for the enemy is a fundamental part of the experience. What is the enemy? What does it even mean to be the enemy?"
It's actually a pretty profound question. And the answers to it make a huge difference in how one sees the world. But do we need such a salacious show to do the asking?
If there's one thing television teaches us, it's to never, ever trust your neighbors. But The Americans tells us that trusting our televisions can be just as dangerous.
Crude or Profane Language
Drug and Alcohol Content
Other Negative Elements
Other Belief Systems
Readability Age Range
Keri Russell as Elizabeth Jennings; Matthew Rhys as Philip Jennings; Noah Emmerich as FBI Agent Stan Beeman; Holly Taylor as Paige Jennings; Keidrich Sellati as Henry Jennings; Annet Mahendru as Nina