- No Rating Available
As the indentured servant of a crime boss, Jerry has one job left before he can leave the mob behind. His live-in, psychobabbling girlfriend Sam thinks that’s one job too many. She’s had it. But if Jerry doesn’t drive to Mexico to retrieve a legendary pistol, he’s a dead man. So he makes a run for the border. In a huff, she heads to Las Vegas. The Mexican chronicles those parallel, yet connected misadventures.
Trust the rating on this one, not the light-hearted TV ads. Audiences primed for a rollicking romantic comedy will find that the dead bodies on this violent road trip outnumber the laughs (several people are shot at point-blank range). Some of those kills are connected to a ruthless hit-man who nabs Sam as insurance. Oddly enough, hostage and captor bond over deeply felt relational "issues" (a perverse plot twist kicks in when she IDs him as a gay man and encourages him to pick up a companion for their trek, which he does).
This film’s dialogue is rife with profanity, including misuses of God’s name and frequent f-words. Frank conversations about sex and porn (one implying that sexual performance is a valuable way to judge a potential mate’s character) are joined by immodesty, alcohol use and romanticized suicide. The story itself may be interestingly constructed, but that’s like saying the Bates Motel has nice eaves.
A key sentiment here is that true love endures all things. Great. That echoes the Apostle Paul’s words in 1 Corinthians 13:7. However, families that have established moral boundaries for entertainment will find The Mexican located south of the border.
Crude or Profane Language
Drug and Alcohol Content
Other Negative Elements
Other Belief Systems
Readability Age Range
Julia Roberts as Samantha Barzel; Brad Pitt as Jerry Welbach; James Gandolfini as Winston Baldry; J.K. Simmons as Ted Slocum; Bob Balaban as Bernie Nayman
Gore Verbinski ( )